Gilding the Small Screen: or, “Is it just me or did TV get good all of a sudden?”
The true reasons for TV’s emergence as the preeminent mass medium of the early 21st century are primarily external to the actual business of creating...
The true reasons for TV’s emergence as the preeminent mass medium of the early 21st century are primarily external to the actual business of creating...
Javier Grillo-MarxuachSep 24, 2014
The distressingly human lives of vampires today
Becca RothfeldSep 19, 2014
On 'The Good Wife'
Briana FasoneSep 18, 2014
Photographer Murray Garrett shares stories from his very exclusive and prolific career as a Hollywood photographer in the 1950's and 60's.
Michael KurcfeldAug 28, 2014
Linda Williams argues that the strength of "The Wire" lies not in its commitment to Dickensian narrative or Greek tragedy, but its melodrama.
Noah BerlatskyAug 18, 2014
Get Lost: Why You Should Be Watching 'The Leftovers'
Phillip MaciakAug 8, 2014
IN 2000, three years before anti-sodomy laws were struck down in Lawrence v. Texas, Queer As Folk premiered on Showtime. At the time, The New York...
Rachel EdelmanJul 21, 2014
On the final season of HBO's True Blood
Molly McArdleJun 30, 2014
MTV's 'Catfish' and the state of modern love
Emma HealeyJun 29, 2014
'Orange is the New Black,' Season 2
Maurice ChammahJun 20, 2014
First as farce, then as tragedy.
Micah HauserJun 16, 2014
Korean dramas have refreshing views of same-sex friendship, but do their gains depend on a gay retreat to the closet?
Eric NewmanJun 10, 2014
The state of the televised female heroine
Lara ZarumDec 30, 2013
What Astral Weeks deals in are not facts but truths. Astral Weeks, insofar as it can be pinned down, is a record about people stunned by life...
Tomas HachardDec 1, 2013
Alone, we can be comfortable in our discomfort.
Adam WilsonSep 25, 2012
Homepage: Tremé Second Line on North Derbigny 1958 © Ralston Crawford, Ralston Crawford Collection, Hogan Jazz Archive, Tulane University TELLING...
Jonathan AlexanderSep 23, 2012