Bad Dad Jokes: On Lucas Mann’s “Attachments”
Adam Fleming Petty reviews Lucas Mann’s “Attachments: Essays on Fatherhood and Other Performance,” rooting his analysis in his personal experience.
Adam Fleming Petty reviews Lucas Mann’s “Attachments: Essays on Fatherhood and Other Performance,” rooting his analysis in his personal experience.
Margo Steines reviews Lucas Mann's “Attachments: Essays on Fatherhood and Other Performances.”
Sarah Yanni talks with Michelle Tea about her new anthology “SLUTS.”
Diana Heald reviews Suzanne Scanlon’s “Committed: On Meaning and Madwomen.”
Joseph A. McCartin reviews “The Hammer: Power, Inequality, and the Struggle for the Soul of American Labor.”
Jessica Rizzo reviews David Bellos and Alexandre Montagu’s “Who Owns This Sentence? A History of Copyrights and Wrongs.”
Scholar and writer Anna Shechtman joins Medaya Ocher to discuss her book “The Riddles of the Sphinx: Inheriting the Feminist History of the Crossword...
In an excerpt from LARB Quarterly no. 41, “Truth,” writer Rachel Cusk and filmmaker Ira Sachs discuss his new film “Passages,” his oeuvre, and the...
Ruth Joffre reviews Liliana Colanzi’s “You Glow in the Dark.”
Alice Courtright reviews Marie Howe’s “New and Selected Poems.”
Enzo Escober reviews Julio Torres’s body of work, but most of all, his debut feature, “Problemista.”
Brittany Menjivar forgoes turkey legs and opts instead for a taste of pulled pork and momento mori at the Renaissance Faire.
In an excerpt from LARB Quarterly no. 41, “Truth,” Sarah Yanni accounts for what she left behind when she called off her wedding—and what she...
Lydia Eno interviews Eileen Myles for the 30th anniversary of “Chelsea Girls.”
Copydesk chief A. J. Urquidi ponders urban doom loops, world peace, and sacred riffage at the Helmet and Cro-Mags show in Los Angeles.
Peter B. Kaufman reviews Peter Pomerantsev’s “How to Win an Information War: The Propagandist Who Outwitted Hitler.”