Vehicles of Awareness: On Terrance Hayes’s “So to Speak” and “Watch Your Language”
Jeevika Verma reviews Terrance Hayes’s “So to Speak” and “Watch Your Language: Visual and Literary Reflections on a Century of American Poetry.”
Jeevika Verma reviews Terrance Hayes’s “So to Speak” and “Watch Your Language: Visual and Literary Reflections on a Century of American Poetry.”
Jeevika VermaOct 29, 2023
Summer Farah interviews Hala Alyan and Zeina Hashem Beck about “We Call to the Eye & the Night: Love Poems by Writers of Arab Heritage.”
Summer FarahOct 25, 2023
Heather Cass White reviews Robyn Schiff’s new book of poetry, “Information Desk: An Epic.”
Heather Cass WhiteOct 23, 2023
C. Francis Fisher reviews Elisa Gonzalez’s “Grand Tour.”
C. Francis FisherOct 21, 2023
Evangeline Riddiford Graham reviews Carolyn Dever’s “Chains of Love and Beauty: The Diary of Michael Field.”
Evangeline Riddiford GrahamOct 16, 2023
Sneha Chowdhury reviews Pierre Joris’s new poetry collection “Interglacial Narrows.”
Sneha ChowdhuryOct 13, 2023
Emily Collins reviews Leslie Sainz’s “Have You Been Long Enough at Table.”
Emily CollinsOct 8, 2023
In a preview of LARB Quarterly no. 39 “Air,” Michelle Chihara interviews Lawrence Weschler about his ancestry, his relationship to Los Angeles...
Michelle ChiharaOct 6, 2023
Erik Gleibermann interviews Safiya Sinclair about her memoir “How to Say Babylon.”
Erik GleibermannOct 4, 2023
Ada Wordsworth reviews John Freedman’s anthology of works by Ukrainian playwrights, “A Dictionary of Emotions in a Time of War.”
Ada WordsworthOct 3, 2023
William Flesch reviews Elisa Gonzalez’s new poetry collection “Grand Tour.”
William FleschSep 30, 2023
Editor-in-Chief Michelle Chihara speaks with author Cathy Park Hong.
Michelle ChiharaSep 12, 2023
Gary Edward Holcomb considers the suppressed legacy of Claude McKay’s two “lost” novels, “Amiable with Big Teeth” and “Romance in Marseille.”
Gary Edward HolcombSep 11, 2023
Liza Katz Duncan reviews Mary Jo Bang’s “A Film in Which I Play Everyone.”
Liza Katz DuncanSep 10, 2023
Hazem Fahmy reviews “The Kingdom of Surfaces” by Sally Wen Mao.
Hazem FahmyAug 28, 2023
James Ciano reviews Saskia Hamilton’s “All Souls.”
James CianoAug 26, 2023
Katya Apekina speaks with Ben Purkert about his debut novel “The Men Can’t Be Saved.”
Katya ApekinaAug 26, 2023
Sabina Knight reviews the poetry and historical writing of Julian Gewirtz in “Never Turn Back: China and the Forbidden History of the 1980s” and...
Sabina KnightAug 21, 2023
Katherine Robinson reviews Mark Wormald’s “The Catch: Fishing for Ted Hughes.”
Katherine RobinsonAug 19, 2023
Elizabeth Metzger interviews anonymous Instagram poetry curator @poetryisnotaluxury.
Elizabeth MetzgerAug 16, 2023
Shoshana Olidort reviews Pleiades Press’s “Bert Meyers: On the Life and Work of an American Master,” edited by Dana Levin and Adele Williams.
Shoshana OlidortAug 12, 2023
Adedayo Agarau reviews “Two Open Doors in a Field” by Sophie Klahr.
Adedayo AgarauAug 5, 2023
Chloe Xiang reviews “Mass for Shut-Ins” by Mary-Alice Daniel.
Chloe XiangAug 4, 2023
Jay Murphy reviews three recent books of (and about) the late writings of Antonin Artaud.
Jay MurphyAug 3, 2023