Back, Scoundrels: Eating the Rich on Film
Pat Cassels considers a spate of new class-conscious popular films, including “Triangle of Sadness,” “The Menu,” and “Glass Onion: A Knives Out...
Pat Cassels considers a spate of new class-conscious popular films, including “Triangle of Sadness,” “The Menu,” and “Glass Onion: A Knives Out...
Pat CasselsMar 7, 2023
Katarina O’Briain reviews Martika Ramirez Escobar’s “Leonor Will Never Die.”
Katarina O’BriainMar 6, 2023
Francey Russell reviews Alice Diop’s film “Saint Omer.”
Francey RussellMar 2, 2023
Carl Abbott revisits Joel Schumacher’s “Falling Down,” starring Michael Douglas, for the film’s 30th anniversary.
Carl AbbottFeb 26, 2023
Sophia Stewart thinks about the relationship between art and content through Bo Burnham’s twin specials, “Inside” and “The Inside Outtakes.”
Sophia StewartFeb 22, 2023
Rox Samer reviews the documentary “Loving Highsmith” and highlights the trans resonances in Patricia Highsmith’s life and work.
Rox SamerFeb 16, 2023
Sarah Fensom reviews Stephanie LaCava’s “Based On, If Any.”
Sarah FensomFeb 13, 2023
J. D. Connor asks why Netflix spent $450 million to acquire the “Glass Onion” franchise.
J. D. ConnorFeb 9, 2023
Greg Cwik reviews Kiyoshi Kurosawa’s film “Cure” on the occasion of its 25th anniversary last year.
Greg CwikFeb 8, 2023
Eileen G’Sell interviews Laure Calamy, star of the film “Full Time.”
Eileen G’SellFeb 6, 2023
Paul Thompson examines the metabolization of bullshit into our lives, by way of analyzing Peter Bogdanovich’s film “Paper Moon” and Robert Greene’s...
Paul ThompsonJan 28, 2023
Greta Rainbow writes about Joanna Hogg’s film “The Eternal Daughter.”
Greta RainbowJan 28, 2023
Laura Nelson reviews Lizzie Borden’s “Regrouping.”
Laura NelsonJan 26, 2023
Greg Gerke reviews Serge Daney’s “The Cinema House and the World.”
Greg GerkeJan 22, 2023
A. M. Gittlitz reviews Noah Baumbach’s adaptation of “White Noise.”
A. M. GittlitzJan 16, 2023
Max Levin writes about Ricky D’Ambrose’s autobiographical feature film, “The Cathedral.”
Max LevinJan 13, 2023
Alex Harvey reviews John Scanlan’s “Rock ’n’ Roll Plays Itself: A Screen History.”
Alex HarveyJan 11, 2023
J. Hoberman reviews Ruth Beckermann’s film, “Mutzenbacher,” loosely adapted from the 1906 novel.
J. HobermanJan 10, 2023
On its 75th anniversary, Jason Resnikoff revisits the World War II documentary “Thunderbolt” and how it captures the relationship between filmmaking...
Jason ResnikoffDec 28, 2022
Aynne Kokas reviews two recent books about the intersection of China and Hollywood: Ying Zhu’s “Hollywood in China: Behind the Scenes of the World’s...
Aynne KokasDec 27, 2022
Ryan Coleman reviews Sarah Polley’s film adaptation of Miriam Toews’s “Women Talking.”
Ryan ColemanDec 22, 2022
R. Colin Tait discusses Michael Schulman’s profile of Jeremy Strong.
R. Colin TaitDec 20, 2022
J. D. Connor analyzes how cultural shifts in the relationship between movies and money made James Cameron’s initial record-breaking blockbuster...
J. D. ConnorDec 16, 2022
David Matorin reviews Jennifer West’s debut artist monograph, “Media Archaeology.”
David MatorinDec 14, 2022