World Revolution of Youth! On Abigail Susik’s “Resurgence!”
Johanna Isaacson reviews Abigail Susik’s anthology “Resurgence! Jonathan Leake, Radical Surrealism, and the Resurgence Youth Movement, 1964–1967.”
Johanna Isaacson reviews Abigail Susik’s anthology “Resurgence! Jonathan Leake, Radical Surrealism, and the Resurgence Youth Movement, 1964–1967.”
Johanna IsaacsonSep 30, 2023
Samuel Fury Childs Daly reviews artist Matthew Barney’s new film “Secondary.”
Samuel Fury Childs DalySep 27, 2023
Jessica Rizzo reviews three new books discussing where NFTs came from, where they are going, and whether we should follow—Amy Whitaker and Nora...
Jessica RizzoSep 12, 2023
Michael Kurcfeld reviews the 54th annual Les Rencontres d’Arles festival.
Michael KurcfeldSep 1, 2023
Veronica Gonzalez Peña and Aura Rosenberg have a conversation about their forthcoming film.
Veronica Gonzalez PeñaAug 25, 2023
Nina Herzog explores the exhibition of Iiu Susiraja’s photographs at MoMA PS1 in Queens, New York.
Nina HerzogAug 15, 2023
Jonah Siegel explores the complicated implications of repatriating art.
Jonah SiegelAug 10, 2023
Asher Luberto examines Celine Song’s new film “Past Lives.”
Asher LubertoAug 6, 2023
Grace Linden reviews Nicole Flattery’s “Nothing Special.”
Grace LindenJul 16, 2023
Nora N. Khan interviews writer and artist Mashinka Firunts Hakopian about her new book, “The Institute for Other Intelligences.”
Nora N. KhanJun 19, 2023
Matthew Spektor analyzes the Los Angeles photography of Stephen Hilger’s “In the Alley.”
Matthew SpecktorJun 14, 2023
Martha Anne Toll reviews Jennifer Homans’s “Mr. B: George Balanchine’s 20th Century.”
Martha Anne TollJun 4, 2023
Tom Zoellner talks to Pete Candler about his new book “The Road to Unforgetting: Detours in the American South, 1997–2022.”
Tom ZoellnerApr 28, 2023
Anna Levett muses on the revolutionary potential of art.
Anna LevettApr 1, 2023
Michael Kurcfeld attends the Frieze Los Angeles 2023 art fair and notices the trends in textile and ceramic art.
Michael KurcfeldMar 28, 2023
Chloe Watlington reviews Gabriella Angotti-Jones’s “I Just Wanna Surf.”
Chloe WatlingtonMar 17, 2023
Emma Kemp reviews Mark Alice Durant’s new biography of the enigmatic experimental filmmaker: “Maya Deren: Choreographed for Camera.”
Emma KempJan 19, 2023
Rosa Boshier González on Laura Aguilar’s Los Angeles from The LARB Quarterly, no. 36: “Are you content?”
Rosa Boshier GonzálezJan 18, 2023
Michelle Tea reflects on the paintings of artist and writer Ali Liebegott in the exhibition “Rooms and Other Feelings.”
Michelle TeaJan 13, 2023
Isabel Ruehl reviews Peter Sacks’s first solo exhibition, “Resistance,” at the Rose Art Museum.
Isabel RuehlDec 21, 2022
David Matorin reviews Jennifer West’s debut artist monograph, “Media Archaeology.”
David MatorinDec 14, 2022
Jessica McCort reviews Malcolm Whyte’s “Gorey Secrets: Artistic and Literary Inspirations Behind Divers Books by Edward Gorey” and Nathalie Tierce’s...
Jessica McCortDec 7, 2022
José Luis Benavides reviews “Abecedario de Juárez: An Illustrated Lexicon” by Julián Cardona and Alice Leora Briggs, with translations by Alice L...
José Luis BenavidesNov 21, 2022
Patrick A. Howell scans the legacy of the great African American photographer Robert Houston.
Patrick A. HowellOct 8, 2022