Pull the Red Thread: On Alice Rohrwacher’s “La chimera”
Greta Rainbow reviews Alice Rohrwacher’s film “La chimera.”
Greta Rainbow reviews Alice Rohrwacher’s film “La chimera.”
Greta RainbowMay 16
Jamal Batts reviews Robeson Taj Frazier’s “KAOS Theory: The Afrokosmic Ark of Ben Caldwell.”
Jamal BattsApr 30
Julia Gunnison reviews Radu Jude’s “Do Not Expect Too Much from the End of the World.”
Julia GunnisonApr 5
Jenny Wu reviews Tiffany Sia’s “On and Off-Screen Imaginaries.”
Jenny WuMar 1
Steffie Nelson surveys the recent institutional embrace of visionary women artists.
Steffie NelsonFeb 23
Annie Buckley describes her experiences working with incarcerated artists via the Prison Arts Collective.
Annie BuckleyFeb 15
Brendan Riley reviews Janet Sternburg’s new collection of photographs, “Looking at Mexico / Mexico Looks Back.”
Brendan RileyFeb 12
Melissa Chan reviews “Zodiac” by Ai Weiwei.
Melissa ChanJan 30
A preview of the upcoming Getty Research Institute x LARB event “Intimate Addresses: Recording Artists Live,” featuring live readings of artists’...
Emily VanKoughnettJan 26
Adam Sobsey reviews “Shadows of Reality: A Catalogue of W.G. Sebald’s Photographic Materials,” a collection from the works of novelist and essayist W...
Adam SobseyJan 24
Yael Friedman speaks with Wim Wenders and provides a review of his work with sculptor Anselm Kiefer in the wake of Wenders’s new documentary, “Anselm...
Yael FriedmanJan 24
Elizabeth Henson reviews Carlos Cortéz Koyokuikatl's “Coyote’s Song: Collected Poems & Selected Art.”
Elizabeth HensonJan 18
Jonathan Alexander considers the work of Black, queer photographer Darrel Ellis, whose work is receiving renewed attention.
Jonathan AlexanderJan 18
Reflections from a former student of Pope.L on his artistic practice.
Brandon SwardJan 12
Michael Kurcfeld interviews Joel Gethin Lewis, the interactive creative director of UK-based design collective Universal Everything.
Michael KurcfeldJan 7
LARB editor Michelle Chihara speaks with graphic designer Ella Gold about the website’s new look.
Michelle ChiharaNov 20, 2023
Oluremi C. Onabanjo describes the wealth of art exhibited at the 35th Bienal de São Paulo.
Oluremi C. OnabanjoNov 19, 2023
Cal Revely-Calder finds much to appreciate, and more to decry, in Omar Kholeif’s “Internet_Art: From the Birth of the Web to the Rise of NFTs.”
Cal Revely-CalderNov 11, 2023
Theresa Lin pays tribute to the at times revolting charm of filmmaker John Waters, whose unlikely exhibition is now on view at the Academy Museum.
Theresa LinNov 8, 2023
Jonathan Alexander examines L.A.-based artist Elliott Hundley’s aesthetic of intimacy.
Jonathan AlexanderNov 5, 2023
Maya Hayda reviews Chang Yuchen’s “Coral Dictionary Vol. 1: 2019–2022.”
Maya HaydaNov 4, 2023
Annie Buckley reviews the “Made in L.A. 2023” exhibit at the UCLA Hammer Museum.
Annie BuckleyOct 31, 2023
Heather Cass White reviews Robyn Schiff’s new book of poetry, “Information Desk: An Epic.”
Heather Cass WhiteOct 23, 2023
Conor Williams reviews the new collection of David Wojnarowicz’s correspondence, “Dear Jean Pierre.”
Conor WilliamsOct 14, 2023